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The director uses the image of the fireflies in an iconic fashion throughout the film beginning with their appearance in the onset of the film after the janitor tosses the tin filled with Setsuko’s remains into the field next to Nishinomiya Station (Takahata). When the tin hits the ground, a cloud of fireflies are dispersed, revealing Setsuko’s spirit bathed in the golden illumination created by the fireflies and Seita’s spirit joins her to recount their tale as they move off hand-in-hand, still enveloped in the beautiful light of the fireflies, which places the story in the form of a reverie that personalizes the events for the viewer (Takahata). The action of the janitor digging through the pockets of Seita’s corpse and, finding only the tin containing Setsuko’s remains, casts it into the field with no regard for the young life just lost creates a poignant image of the tragic loss of life made more horrific by the other corpses littering the train station (Takahata).
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FREE DOWNLOAD GRAVE OF THE FIREFLIES FREE DOWNLOAD V MOVIE
The bedraggled and starved Seita amongst a flood of other vagrants suffering from varying degrees of starvation receiving a hunk of bread from the lone, kindly patron just as Seita dies on the floor of the train station dramatically imprints the magnitude of his suffering on the mind of the viewer so that the image is not lost when the movie swiftly shifts to happier times (Takahata). The director creates a riveting scene using the daily traffic of the train station to present typical human reactions to the sight of the homeless where Seita is mocked, ridiculed, and ignored by passersby as they go about their daily business (Takahata). The imagery of this young boy dying amidst a sea of other poor, wretched souls wasting away on the cold stone floors of Nishinomiya Station as is a dramatic setting not easily forgotten (Takahata). The movie grips viewers from the onset with its opening scene being the death of the main character and narrator of the tale, Seita (Takahata). The realistic imagery easily makes the viewer forget the film is animated. This vivid depiction of two siblings’ struggle for survival unabashedly displays images of corpses charred and burned by air bombs and children literally dying of starvation, all tragedies caused by American attacks on civilian Japanese villages (Takahata). By using animation, the director Isao Takahata is able to focus on Seita and Satsuko’s struggle to survive alone, in a war torn world where Napalm bombs fall from the sky, replacing everything they knew with walls of fire and the charred remains of friends, neighbors, and loved ones (Takahata). Based on a semi-autobiographical novel of the same title written by Akiyuki Nosaka, Grave of the Fireflies the movie is directed by Isao Takahata, who uses animation to depict the graphic imagery of the negative effects of war, not just on the soldiers that physically fight the battles, but on the civilians, including the women, children, and elderly, that the soldiers leave behind when they go off to fight these wars (Walker).Īlthough Grave of the Fireflies entails the recounting of factual events and characters based in reality, the animated movie is still able to use elements of editing, cinematography, and mise-en-scene to give a realistic representation of a period of Japanese history fraught with strife, suffering, and death. Grave of the Fireflies is one of those stories, depicting the tale of two children from the port city of Kobe made homeless by the bombs and orphaned when their soldier father and mother are both killed. Although history books teach that America’s retaliatory bombing of Japanese cities was warranted and noble, depicting American pilots as heroes in films like Pearl Harbor, the Japanese civilians that lived through these attacks would have an entirely different story to tell (Bradley and Powers). This full-length animated film depicts the lives of two young siblings that lived through the American attack on Japan in response to Japan’s attack of Pearl Harbor (Takahata). Although most animated films are for families and children, “ Grave of the Fireflies” is an emotional experience so powerful that it forces viewers to rethink their notions concerning animation.